I believe I painted the window by using glazes of color over a white or very light priming base layer. ..so that the color was actually “lit” by light hitting the white layer then bouncing through the color glazed on top.
This gave the window a more realistic glow and intensity compared to the opaque painted areas.
I hoped the contrast between the two approaches would underscore the differences in lighting going from the foreground to the background.
I really liked this series by SRD
This is stunning. We can feel the sunlight through the glass.
How did you get translucence and opacity in the same image? Truly miraculous. Thank you -- and, as always, we love knowing the background facts.
I believe I painted the window by using glazes of color over a white or very light priming base layer. ..so that the color was actually “lit” by light hitting the white layer then bouncing through the color glazed on top.
This gave the window a more realistic glow and intensity compared to the opaque painted areas.
I hoped the contrast between the two approaches would underscore the differences in lighting going from the foreground to the background.
Well said -- wonderful. Mission more than accomplished, Michael.
My absolute favorite cover. Something about the stained glass just hits me. I hope someday I can get a print!