It's a tricky balance with Elric. The reader needs to be invested in the tragedy, identifying his humanity while processing the cost of his addiction. Like a slow motion car crash, you can't help but watch and cringe knowing what's coming.
Michael described his deadline regrets leading to his portrayal of Elric as "too generically heroic." I think he came to the right solution. The otherliness provides a more intimate connection for the reader at the same time as allowing a measure of separation.
He is very much in tune with what Moorcock intended...he just got to it a few weeks to late.
Oh, I agree! I did like the cover too, but I get a different vibe with this face. It must be a real challenge when the subject is such a complex character.
He definitely looks much more elvish to me here than the face on the book cover.
It's a tricky balance with Elric. The reader needs to be invested in the tragedy, identifying his humanity while processing the cost of his addiction. Like a slow motion car crash, you can't help but watch and cringe knowing what's coming.
Michael described his deadline regrets leading to his portrayal of Elric as "too generically heroic." I think he came to the right solution. The otherliness provides a more intimate connection for the reader at the same time as allowing a measure of separation.
He is very much in tune with what Moorcock intended...he just got to it a few weeks to late.
Oh, I agree! I did like the cover too, but I get a different vibe with this face. It must be a real challenge when the subject is such a complex character.
Elfin? Hm.