
The most unusual aspect of this commission is that it was largely painted while I was being videotaped for a local TV show. I was taking a big risk in allowing this to happen.
I had come to think that I couldn't really create in anything other than the womb-like studio in which I'd been working for the past several years. I presumed that the tangle of wires, the lights, and the presence of other people in my studio would distract me to no end, preventing me from completing any work of consequence.
To my surprise, these things hardly affected me at all. I blocked out enough of what was around me to do my work without great difficulty. Probably the knowledge that it was strictly a temporary situation made it endurable.
I knew from the start that the painting would appear on half the books as painted and on the other half "flopped"—with the back side front, so to speak. This had a sort of playful appeal: which books would sell more, the ones with the alien on the front or the ones with the human?
In addition, I was intrigued with the idea of seeing the two different books in stores side-by-side on the bookshelves, the two forming a whole image of the cover art.
Additional images from DAETRIN


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I went downstairs and checked the bookshelves - but I, too, would love to know.
given a choice today, I would have gone for the human
I don't know of many cover artists who did "flopped" covers. The first one I ever saw was another of yours for C.S. Friedman's IN CONQUEST BORN. I loved that the publisher did covers with each of the main characters on the front.